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Curriculum Vitae

You can see my CV here.

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Selected Writing

  • The last exhibition of the 20th century [Lumbung 1 (documenta 15)]
  • Ethics and the Infratructure of Artistic Research: Thomas Hirschhorn’s Gramsci Monument
  • How Artistic Research Ends
  • Arts and Communities syllabus
  • Platforms and Public Participation
  • Colonial Hospitality: Rethinking Curatorial and Artistic Responsibility
  • New International Information Order (NIIO) Revisited: Global Algorithmic Governance and Neocolonialism
  • Double-bound: Gayatri Chakravorty Spivak’s An Aesthetic Education in the Era of Globalization.
  • Summary of Gayatri Spivak’s talk to the World Bank 1999
  • Born in Flames: an Aesthetic Education
  • 19th Biennale of Sydney’s places of work
  • Transfield, Biennale of Sydney, and artistic complicity
  • Theses on art and knowledge
  • Luke Willis Thompson – 5th Auckland Triennial
  • Techniques of the Participant-Observer: Alex Monteith’s Visual Fieldwork
  • The Art of the Exegesis
  • Luke Willis Thompson – Yaw
  • Pūrākau: stories of future homelands
  • The Opposite of Whiteness
  • Alex Monteith: Red Session No.2
  • Whose knowledge? Reflexivity and ‘knowledge transfer’ in postcolonial practice-based research.
  • Review of “Thinking Through Practice: Art as Research in the Academy”
  • Local Knowledge and New Media Theory
  • Reflections on the Politics of Practicality: Evaluating ICT for community development
  • Pakeha / Tauiwi and Tino Rangatiratanga
  • Craft, Context and Method: The Creative Industries and “Alternative Models”
  • Net Neutrality: No Easy Answers
  • Digital Rights Management and Music in Australasia
  • Local Knowledge: Place and New Media Practice
  • Cultural Futures recap

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  • Reading Group: Gayatri Chakravorty Spivak, A Critique of Postcolonial Reason pp. 1-37

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  • August 2024
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